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The Top Free Woodworking Plans for Your Wood Shop

July 1st, 2009 funmeister No comments

Using free woodworking plans to teach your woodshop students is a great way to economize and better utilize those resources for other supplies, like wood! Free woodworking plans can be copied and reproduced for even more savings.

There are numerous websites with downloadable woodworking plans and ideas to help point you in the direction of free plans. In this article you will find three examples, however there are a great many out there just waiting to be discovered. Having a diverse collection of plans at your disposal is important to your instruction, getting plans free will help you develop your course and diversify your repertoire. Of course the most important side to any woodworking project is to create something both beautiful and useful – something you are both proud of..

One easy class is the use of glass etching. Etched glass woodworking projects can be as basic as a framed mirror or as challenging as a glass top table. This multi-media project will inspire you and your pupils and best of all; you can find the plans for free! No more piggy banks and other such silly ideas, you don’t need to teach your students the art of fine etching but you can teach the most important aspects of finished carpentry.

Another great project idea, also freely available online, is a fun wood puzzle. Puzzles come in many varieties. Your students will be ravished by making a toy they could give as a gift to a younger sibling or cousin. You will delight in all the money you will be saving by obtaining the plans for nothing. Of course, if you are looking for something with a little more depth, you may want to look further. But as a quick fun project – give it a shot! When the plans are free, what do you have to lose but a few moments of your time?

Finally (and by now you realize there are limitless possibilities!) left with you is a dynamic and fun “Tansu” or Japanese Chest of Drawers. Though traditionally made using hand tools alone this project gives you the opportunity to impart the progression of old techniques coupled newer options working alongside to create a beautiful yet functional chest of drawers. Consider the grateful mothers who would be so happy to receive such a gift in place of a tired set of scented candles! You could even afford embellishments with the money you’ve saved by downloading plans for free. There are only too many websites available to help you find free woodworking plans. Be warned, you may have to navigate several “search” sites to discover the plans. One useful site I found is www.WoodworkingProjectsAndPlans.com where you will find free plans for beautiful etched glass projects.

The hope is that you’ve learned these woodworking plans are quickly and easily found. Make sure that the next class be one that you are all excited about, keeping each student on his toes - absolutely free!

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Modernist Home Style with the Le Corbusier Sofa LC3

June 30th, 2009 funmeister No comments

Of all the fundamental designs that have came out of mankind’s imagination, perhaps none would be as influential as that of modernism. Organized in the early 20th century, the contemporary style in architecture is popular for its uncomplicated, minimalist appearance and the dismissal of non-essential accessories. But while most people commemorate modernism as an basic style, it has also extended into furniture. In fact, the developers of the modernist style of architecture drafted furniture as well. One elegant example of such a modernist furnishing is the Le Corbusier Sofa LC3.

Created in 1928, the Le Corbusier Sofa LC3 is a modernist reaction to the conventional club chair. It was crafted by the famous Swiss-French furniture designer Le Corbusier, who was also well-known for his architectural works generated in the modernist style. Le Corbusier assumed in the concept that furniture is an expansion of the human body, and that it must permit for unimpeded movement and ergonomic freedom for its user.

The Le Corbusier Sofa LC3 is indeed part of a collection of furniture manufactured by Le Corbusier, which comprises theLC1 Sling Chair, the LC2 Sofa, and the LC4 Chaise Lounge. According to its closest counterpart, the LC2, the LC3 emphasized cushions that were guarded in place but not restricted to the frame. The reason behind this was to generate the feeling of comfort from the upholstered surface while favoring with the modernist mantra of excellent minimalism and unordinary industrial look. The LC3 also shares some attributes of the sling chair, containing the reverse invention of the structures of the sofa by having the frameworks outside instead of the inside. This extrinsic frame also has the plus benefit of harboring thick pillows, which can fill the abundant space inside the frame and support an irregular sumptuousness that is uncommon even for other massive sofas and chairs. Nevertheless, despite its affinities the Le Corbusier LC3 also had its unique characteristics, including more generous stuff and the prerogative of either down-wrapped foam or Dacron-wrapped cushions.

Despite the LC3 and the rest of its brethren were fully credited to Le Corbusier, its fame as a home furnishing was heavily persuaded by that of Heidi Weber, a German museum owner and colleague of Le Corbusier. In 1959, Mrs. Weber, under the knowledge of Le Corbusier, put the Le Corbusier Sofa LC3 and the rest of the selection into production. And it is in the middle of the production process that Weber abandoned the spring mechanism of the sofas and layered the outer frame with a chrome layer. The cushions were also fixed to make it more formal and fitted, an appearance which still abides to this day.

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Why Buy a Gold Eagle Coin - Is It Sincerely a Good Investment?

June 29th, 2009 funmeister No comments

The reality is that buying gold and gold eagle coins is very similar to all types of investing. So why go for gold, when you can put your money in the stock market, for example, or in some other physical ventures that can potentially earn as much? This is a question that many gold traders asked before they got hooked on gold. And the answer to this issue varies, going from the economic to the personal, with all sort of considerations in between.

You are likely to be aware that the value of gold is one of the few rare items that has held its value and actually grown, even with the failing economy. Gold prices fell slightly last year, during the early signs of the recession, but they quickly stabilized and rose again, possibly reaching new high prices.

Of course, gold traders and collectors, recognizing that gold is one commodity that has remained stable for about two hundred years, were certainly not surprised by this development. Despite economic downturns, the purchasing power of gold has held up much better than any currency in the whole world. For example, the cost of a pure ounce of gold hasn’t changed in 200 years. In the meantime, paper currency has fluctuated and fallen with, owing to manipulations and the removal of the gold reserves that back them up.

Economy watchers predict that things will not get better in the years to come, considering many factors such as inflation, recession, and the overall decline of the world economy. However, despite this expected drop, the purchasing power of 100% gold is also expected to remain quite stable and even go up, as it’s insulated from economic movements and market forces.

Having established a potent reason why you should put your money in gold, it is also important to think about which form of gold to invest it. Gold can be purchased in four different ways: stocks, exchanged traded funds, futures, and bullions. Of these types, however, most experts recommend investing in bullion because it is the most stable in terms of value. The price of gold bullions such as gold coins does not crash or fluctuate, unlike gold stocks or futures. This stability has been proven throughout history.

Another advantage to gold is that it is a small, easily transported object that can be sold, bought and secured easily. Besides of their actual monetary value, gold coins are also great to possess and have as collectibles because of their intrinsic aesthetic worth. As a matter of fact, the actual gold content of a American Eagle Coins is only one consideration along with the coin’s face design when buyers are looking to add a specific coin to their collection. These provide sound rationale for anyone to consider the purchase of gold eagle coins as an investment or a hobby.

Historically, bullion has remained stable. Gold bars and the American Eagle Coins have both had an advantage by not merely representing real gold, but actually being real gold. You can be assured that they will both retain their value, even through bear markets and economic downturns, and both can be easily sold for the same value at the time of purchase.

Plus, gold coins and gold bars can be easily transported and stored making them the ideal medium to invest value in.

The above mentioned reasons are, therefore, for the collector as well as the investor or the person who does it as a hobby, the answer to the query of why to purchase the American Eagle Gold Coin.

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A Modern Day Chair Fit for a King: The Barcelona Chair

June 25th, 2009 funmeister No comments

One of the unshared furniture drawings for the German Pavilion, the Barcelona Chair was Germany’s official entry to the Ibero-American Expo of 1929 held in the city of Barcelona, Spain. The design of the chair was built by the popular Bahaus designer Ludwig Mies van der Rohe in cooperation with his longtime partner Liliy Reich, who was also a designer and an architect. A highly popular design during its time, the chair is believed as one of the most popular icons of the modernism movement.

According to its designers, the Barcelona Chair was persuaded by the campaign and folding chairs of the classical period. The chair has also exposed inspiration from the works of the well-known sculptor George Kolbe. Because of its switch of regal design into a modern setting, the chair and its designers instantly garnered adulation of critics during the Ibero-American Expo, calling the chair “a design worthy of kings”. Also, the chair was made with the Bahaus idea in mind, absorbing the concept of giving well-designed furnishings and residences for the common man. However, given the chair’s astonishing price of $6,281 at that time, it seemed conflicting to this sentiment.

The frame of the Barcelona Chair was primarily designed to be bolted together but was later improved during the 1950s to incorporate stainless steel, authorizing the frame to be conceived using an abundant piece of metal. This gave the chair a shiny appearance as well as the supplementary bonus of being corrosion-resistant due to the stainless steel’s properties. The chair’s upholstery was also originally made of ivory colored pigskin, but was later recovered by bovine leather.

The Barcelona Chair was originally constructed in definite stock within the United States and among European countries during 1930s and late 1950s. Then in 1953, six years after the death of Lilly Reich, Miers van der Rohe submit his rights and his name on the design.

The Barcelona Chair’s working design and accordant elements were acquired by Mies van der Rohe in Spain. Germany and the United States of America during the 1930s, but it has long since stopped. This led to the explosion of Barcelona Chair designs being manufactured worldwide to keep up with the appeal of collectors and modernist aficionados alike.

Today, the Barcelona Chair is generally built in two dissimilarcontrasting types of steel: chrome and stainless. The chairs are almost completely done by hand, with assured machining reservations on several parts of the body.

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All About Eileen Gray

June 25th, 2009 funmeister No comments

One of the leading founders in the Modern Movement in Architecture, Eileen Gray is an Irish furniture designer and architect famous for developing some of the most outstanding furniture designs of the 20th century.

Born on the 9th of August 1878, Eileen Gray was the youngest daughter of an elegant family living near the little market town of Enniscorthy in Northern Ireland. Her father, James Maclaren Gray, was a painter and boosted Eileen’s artistic interests by accompanying her on painting tours in Switzerland and Italy and fueling her independent spirit. When she turned twenty, Eileen was enrolled at the prestigious Slade School of Fine Art, where she bumped with other artists including Kathleen Bruce and Jessie Gavin. Later, Gray, along with Gavin and Bruce, migrated to Paris and studied at the Académie Julian and the Académie Colarossi. Eileen was perpetually moving back and forth from France, Ireland, and England, until in 1905 when she abided back in London when her mother became ill. It was during her time in London that Gray came back to the Slade School.

Then, while walking down London’s Soho district, Eileen Gray inquired the owner of a lacquer repair shop to show her the basics of lacquer work. This contributed to her meeting with Seizo Sugawara, a Japanese immigrant who moved to Paris to regain the lacquer work exhibit at the Exposition Universelle. Sugawara came from an area of Japan familiar for its decorative lacquer work, and she taught Gray until she was 35 years old.

When World War II erupted in 1914, Eileen Gray moved to London and re-situated to Paris after the war. During this period Gray was bestowed the task of decorating an apartment in the Rue de Lota, where she made most of its furniture, carpets, lamps, and lacquered wall panels. Gray’s work on Rue de Lota garnered attention among critics, who saw her designs as creative for its time.

Convinced of her success in Rue de Lota, Eileen Gray settled to open up Jean Desert, a small shop in Paris, to illustrate her work and that of her artist friends. Then in the 1920s and 30s, Gray became involved with the well-connected Union des Artistes Modernes. She also designed and provided the Tempe à Pailla during this period, and during the Paris Exposition in 1937 she introduced her designs of a holiday center in the Le Corbusier Esprit Nouveau Pavilion.

During World War II, Eileen Gray was strained to desert from the French coast and migrated inland. After the war completed Gray lived a secluded life, largely covered from public view. Finally, she died of old age on October 31, 1976 in her apartment in France.

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